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News flash: We aren't the only ones who want House to deal with a mysteriously ill Wilson
For the last ten days or so, TV writer and BtVS alum Jane Espenson has been giving tips on her blog on how to prepare spec scripts for the ABC/Disney Writing Fellowship, and one of the shows she's been using to demonstrate examples is House. It makes me wish that she would write for the show; aside from being a fantastic script writer, she -- at least, as these posts imply -- appreciates Wilson's importance in the series.
The two posts that discuss House the most are:
Making Yourself Comfortable in the House or Office - On writing a script that achieves a balance between standing out and feeling like it belongs in the series. My favorite part:
Some of the stuff in these and the other posts sounded very common sense to me, but if you're an aspiring TV writer yourself or are interested in House or TV writing in general, I recommend checking out the rest in the Disney fellowship theme, which start down the page on May 14 ("The Most Wonderful Time of the Year"). Or, you know, subscribing to her blog in general.
The two posts that discuss House the most are:
Making Yourself Comfortable in the House or Office - On writing a script that achieves a balance between standing out and feeling like it belongs in the series. My favorite part:
Use all the major regular characters. If Wilson isn't in your House, it's going to feel less like a "real" episode. That relationship is important to the show, so you should make an effort to service it.Although Wilson is a Best Friend, He is Not Also a Volleyball - On writing an effective teaser (which I've now learned is called a "cold opening") and whether to include or exclude a regular character in it. The part that makes me want to drag Espenson onto the House writing team:
I think if I were writing a House spec, I would start with Wilson (House's best friend, an oncologist) puzzling over a patient of his who has been brought in with some acute and alarming symptoms. While the patient struggles to breathe, Wilson picks up the phone and urgently demands that House come to his exam room right away. House enters (complaining) and looks confused to find the patient, still breathless and apparently alone. House is about to pivot on his cane-point and exit, when the patient points, panting, down out of frame. The camera TILTS down to find Wilson, lying unconscious at House's feet.Sick!Wilson: it's not just for fanfic anymore. No, but really, that's one of the great things about Espenson: she writes with a fan's appreciation.
Some of the stuff in these and the other posts sounded very common sense to me, but if you're an aspiring TV writer yourself or are interested in House or TV writing in general, I recommend checking out the rest in the Disney fellowship theme, which start down the page on May 14 ("The Most Wonderful Time of the Year"). Or, you know, subscribing to her blog in general.
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Plz to be joining the House staff soonest. Like Doris Egan, you are my hero. Also, nearly a year later, I cannot get over the fact that I was once in a room with both of you at the same time, and you talked together about the implications of slash. Clearly you are sympatico. Ergo, together you should write House/Wilson. Quod est demonstratum, or some other equally apt Latin phrase.
Love, me.
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At what glorious event did you hear them talk?
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...
I stood within it and rimmed the Ring of the Ancestors.
BWAH.
Also, LOL, Suzie Plakson. Haven't heard that name in like 15 years.
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There hasn't been sick!Wilson yet, but you know there will, someday. And House will be a jerk and have us screaming at the TV. Until the one tender moment that melts out little slashy-tinted hearts. <3
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I'm sure this is going to sound horribly inappropriate, but it just gives me the warm fuzzies to find out that a real live scriptwriter has even thought about this scenario.
Now if she were just one of the scriptwriters on House ...
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And, how could I say that sounds horribly inappropriate when I've just pretty much built a post around the same little thrill?
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House will have to show he cares one day, you know. Grrr.
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I also felt terribly happy just reading that snippet, because, you know, she's a real scriptwriter. - Yes, exactly. It's great to know that other professionals are glancing at this show and realizing it would be great drama to use Wilson in an episode to trigger one of those all-important Emotional Realizations in House.
(Aren't you supposed to be on holiday? All this time zone stuff confuses me.)
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C'mon, House! You can do it again! XD
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Oh, if she wrote for the show... *daydreams*
Problem with sick!Wilson, though, is that Foreman went there. So I'd want Wilson to get a three-parter except that oh yeah I'm against story arcs on House. XD
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More seriously, I wasn't all that impressed with most of her Buffy episodes
Ah, man -- they weren't all great, but "Earshot" and "Pangs" are two of my favorite BtVS episodes ever. I remember "Conversations with Dead People" being intense, though I only watched it once. And "Shindig" from Firefly!
*g* I haven't read Slayer Slang, but I did hear Michael Adams speak at the Whedonverses conference last year (third paragraph down over here (http://bironic.livejournal.com/36115.html#cutid1)). His lecture was entertaining, in a deliciously geeky linguistic kind of way, though some of his arguments were a bit fishy.
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!!!! DON'T SAY SUCH THINGS. I'd have to stop watching and find some other tv series that isn't as frustrating. XD (...At least RSL could go back to NYC all the richer.)
Will grant you "Earshot" (brilliant!) and I've forgotten which is "Pangs"? But the overall quality was so high on the show that hers didn't shine out most of the time. To me. :D
My frustration with the book was that he stayed at a superficial level and didn't dig deep enough for my taste. Kind of a "What Language is Like on BtVS for Those Who Only Watched One Episode."
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"Pangs" was the Thanksgiving episode, first year of college, enraged awakened Shumash Indian, Xander got syphilis and smallpox, Spike was tied to a chair, Angel showed up, etc.
Kind of a "What Language is Like on BtVS for Those Who Only Watched One Episode."
Oh, that's too bad. An in-depth book-length linguistic analysis could be so great, considering all the things BtVS did with language play.
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And I'm not squeeing or doing anything equally embarrassing. I swear.
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I love her blog. Read it constantly since
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I gather you're in a profession that gives you multiple opportunities for uninterrupted contemplation--but maybe that's an erroneous assumption based on your default icon. ehehe. Am I wrong?
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Maybe that's one of the reasons they haven't done it: it's too obvious or predictable. I'd love to see it happen, but it does make sense that the writers have so far only chosen to explore House's reaction to the impending death of someone whose relationship to House was less well-defined than Wilson's. Maybe if they paid more attention more often to Wilson and House's friendship, we wouldn't be hoping so hard for Wilson to land in the ICU just so House would say he means something to him!
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Except, you know, that they *don't* kill Wilson off. Though RSL does suffer very prettily.
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Sorry for the late reply, and I don't know if it's been mentioned, but Jane Espenson admittet after Buffy ended that she read Spike/Xander fanfic :P So another great reason for bringing her onto the show would be that she's a slasher, and we could probably count on her to give us some great HoYay :D