Initial A Wrinkle in Time thoughts
Mar. 10th, 2018 08:39 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
bironic
The good:
(+) A+ father/daughter science bonding montage. Was wonderful that they didn't skimp on that relationship, on the love and wonder for the world (universe), or on Meg's intellectual capacity even though her little brother outshines her.
(+) The attic room, stormy night, and kitchen with simmering milk looked a lot like how I imagined them as a kid. <3
(+) Fleshing out of Mrs. Murray and her talents.
(+) Distinct characterization for each of the three Mrs.
(+) Synchronous bouncing balls and housewives of Camazotz. Wish they'd held longer on the eerieness of the seeming suburban normalcy.
(+) Scary stuff when Charles Wallace went under and dragged the family toward IT! Poor kids at the movie theater; I hope they weren't too traumatized.
(+) Interesting and sympathetic addition, showing how IT's darkness can manifest as negative body image/disordered eating and professional jealousy. Then the lighter touch for moviegoers who are listening for references to current global politics.
(+) I admit it: I cried when Meg reunited with Mr. Murray.
(+) Hi, boyfriend from Moonlight. <3
The not so good:
(-) Blah blah blah, we have to use a lot of CG for reasons, here, have too many empty minutes of swarming flowers, a cabbage dragon, a forest getting ripped up.
(-) That would have been forgiven if they hadn't fumbled the last act. First, they skimmed over how Charles Wallace falls to IT so easily because he's overconfident. They'd foreshadowed it with "I'm always right"/"When am I ever wrong"/whatever that line was, but then dropped it. I didn't think it was clear why he was seduced or how that related to his being set free. Second, they really dropped the ball -- ha ha, so to speak -- with Meg when she went back for him. Her being a misfit, her ability to break rhythms, these things that Mrs. Whichever-it-was gifted her as her faults on Earth, were supposed to be her strengths against IT. But they weren't set up well -- in the beginning, at school, she's only explicitly chastized for extended mourning, not for being clumsy or nerdy -- and then these traits are not explained or even really used as a counterforce to those ball bounces, to those hypnotic equations that pull in Charles Wallace, to the beating of IT's heart when they're in its brain. It's fine that they decided not to have Mr. Murray call on Meg to shout random numbers to resist IT's pull, because the story arc is about her own agency and self-actualization. But I don't think they made that arc apparent at all. And the second stage of breaking free, when she notices how much IT and the changed Charles Wallace thrive on hate and negativity and realizes the antidote is her deep well of love -- they did set that one up at the beginning, sort of, with Mr. Murray in the garage saying love is the key to tessering, but it felt confusing when Meg started saying "I love you" over and over to Charles Wallace as she did in the book. Did it make sense to those who hadn't read the book? Or did it make more sense for those who hadn't read it, because the theme of the movie leaned more toward learning to love yourself for who you are and extending that love to those around you? Meaning the stuff about breaking from IT's rhythms fell to secondary importance? Hm. I still would have liked for it to work more elegantly on the IT level. Also, when did Calvin get to do his thing, after being brought along for his diplomacy skills?
(-) Moon-eyed Calvin, ugh. Maybe it's heartthrobby for the pre-teen set but I always liked how in the book Meg and Calvin are just two sort-of neighbors feeling out of place in their own ways, who get to know and accept their own and each other's strengths and weaknesses, and only then begin to feel attraction after they've gone through this adventure together.
(-) Some bizarre casting choices (Zach Galifianakis), wince-y acting (Mindy Kaling when delivering non-quote lines), and music mismatches.
Overall, I'm glad this movie exists in the world. It's a fair adaptation of a wonderful book. There's stuff from the book that I missed in the movie -- Aunt Beast, the aftereffects of tessering through two-dimensional space and the cold darkness -- but that's what the book is for. I think most of the main cast did a good job. (Gugu! even Oprah!) Please continue to take my opening weekend dollars for giving movies to people who aren't white men.
What did you think, if you've seen it?
(+) A+ father/daughter science bonding montage. Was wonderful that they didn't skimp on that relationship, on the love and wonder for the world (universe), or on Meg's intellectual capacity even though her little brother outshines her.
(+) The attic room, stormy night, and kitchen with simmering milk looked a lot like how I imagined them as a kid. <3
(+) Fleshing out of Mrs. Murray and her talents.
(+) Distinct characterization for each of the three Mrs.
(+) Synchronous bouncing balls and housewives of Camazotz. Wish they'd held longer on the eerieness of the seeming suburban normalcy.
(+) Scary stuff when Charles Wallace went under and dragged the family toward IT! Poor kids at the movie theater; I hope they weren't too traumatized.
(+) Interesting and sympathetic addition, showing how IT's darkness can manifest as negative body image/disordered eating and professional jealousy. Then the lighter touch for moviegoers who are listening for references to current global politics.
(+) I admit it: I cried when Meg reunited with Mr. Murray.
(+) Hi, boyfriend from Moonlight. <3
The not so good:
(-) Blah blah blah, we have to use a lot of CG for reasons, here, have too many empty minutes of swarming flowers, a cabbage dragon, a forest getting ripped up.
(-) That would have been forgiven if they hadn't fumbled the last act. First, they skimmed over how Charles Wallace falls to IT so easily because he's overconfident. They'd foreshadowed it with "I'm always right"/"When am I ever wrong"/whatever that line was, but then dropped it. I didn't think it was clear why he was seduced or how that related to his being set free. Second, they really dropped the ball -- ha ha, so to speak -- with Meg when she went back for him. Her being a misfit, her ability to break rhythms, these things that Mrs. Whichever-it-was gifted her as her faults on Earth, were supposed to be her strengths against IT. But they weren't set up well -- in the beginning, at school, she's only explicitly chastized for extended mourning, not for being clumsy or nerdy -- and then these traits are not explained or even really used as a counterforce to those ball bounces, to those hypnotic equations that pull in Charles Wallace, to the beating of IT's heart when they're in its brain. It's fine that they decided not to have Mr. Murray call on Meg to shout random numbers to resist IT's pull, because the story arc is about her own agency and self-actualization. But I don't think they made that arc apparent at all. And the second stage of breaking free, when she notices how much IT and the changed Charles Wallace thrive on hate and negativity and realizes the antidote is her deep well of love -- they did set that one up at the beginning, sort of, with Mr. Murray in the garage saying love is the key to tessering, but it felt confusing when Meg started saying "I love you" over and over to Charles Wallace as she did in the book. Did it make sense to those who hadn't read the book? Or did it make more sense for those who hadn't read it, because the theme of the movie leaned more toward learning to love yourself for who you are and extending that love to those around you? Meaning the stuff about breaking from IT's rhythms fell to secondary importance? Hm. I still would have liked for it to work more elegantly on the IT level. Also, when did Calvin get to do his thing, after being brought along for his diplomacy skills?
(-) Moon-eyed Calvin, ugh. Maybe it's heartthrobby for the pre-teen set but I always liked how in the book Meg and Calvin are just two sort-of neighbors feeling out of place in their own ways, who get to know and accept their own and each other's strengths and weaknesses, and only then begin to feel attraction after they've gone through this adventure together.
(-) Some bizarre casting choices (Zach Galifianakis), wince-y acting (Mindy Kaling when delivering non-quote lines), and music mismatches.
Overall, I'm glad this movie exists in the world. It's a fair adaptation of a wonderful book. There's stuff from the book that I missed in the movie -- Aunt Beast, the aftereffects of tessering through two-dimensional space and the cold darkness -- but that's what the book is for. I think most of the main cast did a good job. (Gugu! even Oprah!) Please continue to take my opening weekend dollars for giving movies to people who aren't white men.
What did you think, if you've seen it?
