bironic: Willow Rosenberg waving at The Bronze (hi willow)
[personal profile] bironic
Remix Redux signups are open! I tried it for the first time last year and had a wonderful experience, both in the remixing and in the being-remixed. I highly recommend it. It would be great to have more House people participate this year. *nudge nudge*

Hm. That does bring the total number of fics I have due by mid-April up to four (two House, one SGA, one TBA). Stay tuned for panicking.

Meanwhile, things are continuing to go well, if still pretty tightly packed. Last weekend my sister and I took our dad to see Young Frankenstein for his birthday, which he loved. Mel Brooks isn't my kind of humor, except possibly for Robin Hood: Men in Tights, but it translated well to the stage -- either because I'm older now than when I saw the movie, because the story changed from movie to play, or because it works better in this kind of venue than on screen. It was raunchy, noisy, entertaining, non-stop, inside-jokey to people who know Shelley's story and Whale's movies -- and very obviously expensive.

Roger Bart, who played Frankenstein, was quite flat overall and had strange, high-pitched, quickly spoken, 20-something affectations that reminded me of Dane Cook, but he had his moments. Sutton Foster (formerly of Thoroughly Modern Millie fame) as Inga was by far the most talented cast member, especially in her opening song where she yodeled very impressively, although she didn't always hold on to her accent when she sang. (The accents in the show, btw, ranged from German to Transylvanian to Brooklynite to Irish to Cockney.) Shuler Hensley played the Monster, and while he didn't have much to do for most of the play other than stagger around and moan, he totally stole the show as soon as they did the "Puttin' on the Ritz" number. He had a surprising, rich baritone, too, and a swanky English accent at the end when Frankenstein upgraded his brain. Megan Mullally (Karen on Will and Grace) pretty much played to type as Elizabeth / The Bride of Frankenstein, which worked well, and I don't have much to say about the actor who played Igor, Christopher Fitzgerald; my dad said he was basically the same as the character in the movie (which I haven't seen since I was about eight, and don't remember liking much). Oh, and Andrea Martin as Frau Blucher (cue the horses neighing) brought a touch of classic Broadway to the play; very mature performance overall, and she stole the first act by virtue of singing its only good song, "He Vas My Boyfriend."

Overall, it was enjoyable. My favorite parts were "Puttin' on the Ritz," where the monster did his awkward tapdance and barely articulated lyrics; a song in the first act called "Join the Family Business" where the ghosts of Frankensteins gone by (and their leggy lab assistants) convinced Frederick to try to animate a creature of his own, because in the middle of the song, the chorus assembled a giant puppet-monster that stomped across the stage to resounding drum beats; a cameo by Dracula at the end; and ... something else I've already forgotten. Mostly, I was taken aback by how much money was poured into the production, ostentatiously so (unless that's typical for the bigger Broadway shows these days). There were at least twelve sets, all switched out with barely a pause from scene to scene; props such as that giant marionette and a huge plasma ball for Frankenstein's lab; a ship, a steam engine, a wagon; multiple high-quality costumes for the entire cast; video projections; trap doors, a bed/table that reached the ceiling on a chain, and other stage tricks; full orchestra; etc. etc. Coming off a series of one- to two-set dramas, it startled me.

Oh, and Sarah Jessica Parker and Matthew Broderick were in the center section in our row, with their kid. Random.

It's been a theater-full few months, and I'm really looking forward to what's coming up this month and in March: Patrick Stewart in Macbeth, Conor McPherson's The Seafarer (with Tritter!), and Stoppard's Rock 'n' Roll a few days before it closes.

I've got most of my application in to Birthright Israel. I ended up going with the Holocaust-themed International March of the Living trip, which takes you to Poland as well as Israel. It's going to be fantastic -- if I get a slot. It's first-applied, first-considered, so we'll see. I'm hoping they'll take into account that this is the last year I qualify.

Have been doing beta work for people who were brave and industrious enough not to have backed out of [livejournal.com profile] house_bigbang. Trying to plan out fic, and taking notes for posts I may never write. Read Rock 'n' Roll. Went to a terrible astronomy lecture. Had a lovely brunch yesterday in a retro French café with [livejournal.com profile] scribblinlenore, [livejournal.com profile] pun and [livejournal.com profile] linaerys, in which many amusing topics were covered, from baseball history and Jeter/A-Rod RPF to cars to John Simm to our various works in progress to the line, "You pimped your mom into House slash?"

Not much else going on worth noting, except perhaps that Peanut Guy and I started carpooling today. We live something like three miles from each other; it's silly not to come in together as often as possible when gas prices are still rising and we're logging about 250 miles a week just to get to work and back.

In conclusion: Remix!

How are you?
 

Date: Feb. 18th, 2008 11:57 pm (UTC)
From: [identity profile] daasgrrl.livejournal.com
Young Frankenstein

It's... a musical? Ooookay *g*. I have a wildly uneven thing with Mel Brooks - love The Producers, To Be or Not to Be and Spaceballs, but found Blazing Saddles dull and loathed Men in Tights more than I can adequately express, despite the lovely Cary Elwes (that was an "I want those hours of my life back" movie *g*).

It's been a theater-full few months, and I'm really looking forward to what's coming up this month and in March: Patrick Stewart in Macbeth, Conor McPherson's The Seafarer (with Tritter!), and Stoppard's Rock 'n' Roll a few days before it closes

I hate you just a little. Maybe a lot. Reviews, woman! :)

The Birthright trip sounds really amazing!
Edited Date: Feb. 18th, 2008 11:58 pm (UTC)

Date: Feb. 19th, 2008 12:25 am (UTC)
ext_2047: (Default)
From: [identity profile] bironic.livejournal.com
It really does. Part of the appeal of this particular trip (there are something like 20 trip organizers under the Birthright umbrella), aside from the Holocaust theme, is that the theme should attract a (hopefully) somewhat different group than those who go on the party! hiking! adventure! trips. They screen their applicants, too. The old-person/prude/snob in me is pleased.

Stewart's Macbeth is at the same theater that housed McKellen's Lear. Which I didn't see and you did. So we're even there. And this time there won't be any traumatizing nudity.

Yep, it's a musical. And heh, your reaction to Men in Tights sounds like my reaction to Blazing Saddles. W. T. F. The others left me mostly meh -- haven't seen To Be Or Not To Be, though, or actually even heard of it -- but I know a lot of people really like his stuff. *shrug*

Date: Feb. 19th, 2008 02:46 am (UTC)
From: [identity profile] daasgrrl.livejournal.com
Somehow the idea of going to Israel in order to party seems kind of odd to me. But I guess I would say that about pretty much any destination. Maybe not Venice or Rio XD

Yeah, but I adore Stewart and don't really give much of a damn about McKellan. Also the play sounds like more fun. So to speak.

I think Mel Brooks' comedy tends to be very, very broad, which is why I enjoy it most when it has more serious subject matter as counterpoint. I have no excuse for Spaceballs, though, except that I was a teenager, which is exactly the target market for juvenile humour *g*. To Be Or Not To Be stars Brooks trying to make a living as a Polish actor during WWII - he's playing Hamlet, obviously, and is most unamused when a handsome young officer (Tim Matheson) keeps leaving during the most famous of soliloquies. It's a very good movie. I remember it was the first time I ever heard about the pink triangle and how homosexuals were persecuted as well.

Hmmm, okay, sometimes I wonder whether I might be straying into 'insensitive' territory here, since my associations are purely to do with entertainment value. Hence the edit. Sorry if I did :(
Edited Date: Feb. 19th, 2008 02:53 am (UTC)

Date: Feb. 20th, 2008 12:54 am (UTC)
ext_2047: (Default)
From: [identity profile] bironic.livejournal.com
No, no problem -- sorry if my delayed reply worried you. I just watched the video, and while I didn't laugh much, it was more because of the Mel Brooks thing than because of any offense. Got to love submissive, leggy SS officers in suspenders. And that was maybe the best summation of the bunker days that I've ever heard. :)

Aaaand, removing that last paragraph in case any of it is not meant to be public info. As far as you/etc. is concerned, I mean.

Yay edits!
Edited Date: Feb. 20th, 2008 12:56 am (UTC)

Date: Feb. 20th, 2008 01:40 am (UTC)
From: [identity profile] daasgrrl.livejournal.com
Oh, I'm glad, and thanks for getting back to me - I mean, I know Mel Brooks is himself Jewish and all, but reading some of the comments on the vid made me think it still might not be... in the best possible taste. Taste, Mel Brooks. Oh, now I see the problem :)

Hee - and just to say, no, nothing you wrote would have bothered me at all. I don't see it happening though XD

Date: Feb. 20th, 2008 01:43 am (UTC)
ext_2047: (Default)
From: [identity profile] bironic.livejournal.com
Nothing that wasn't in The Producers, really, right? And that was as funny as it was appalling. Except this time, with music that sounds kind of like "One Night in Bangkok."

Date: Feb. 20th, 2008 01:56 am (UTC)
From: [identity profile] daasgrrl.livejournal.com
No, not really that different at all in content. But, see, that's a little different from grabbing you by the metaphorical arm and saying OMG Springtime for Hitler so funny WATCH THIS NOW. But also, that video for me is very 'of its time' and I was really quite startled by some of the current reaction comments to it - some of which seemed to take it quite seriously.

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