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Festivids recs
Feb. 1st, 2019 10:38 pmThis year's favorite ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
festivids:
Goodbye by ? for walkthegale (The Innocents) - A vid of the movie based on the ghost story/novella The Turn of the Screw. Slow and spooky. Awesome establishing of pace and mood.
Dance to Another Tune by ? for thingswithwings (Runaways) - That subjective magic of source + song match, mood, progression, turning ordinary shots of things like the paper snowflakes into something haunting, a series of smart choices down to details like the cult choosing kids who theoretically won't be missed.
It's nothing at all by ? for runawaynun (Battle for Sevastopol) - The choice of Radiohead and the cutting style together create a beautiful flow of horrific events.
Unlock the Lock by ? for runawaynun (The Expanse) - Another good match of song and source and editing, a lovely portrait of Chrisjen and Bobbie and what connects them.
I Know What I Am by ? for colls (Ocean's 8) - How do you handle a source with so many characters? By using a song with two vocalists trading off repetitive verses, of course. I do love a well-structured and well-paced vid.
( Plus 8 more )
Last but not least, thank you to ??? for making Graveyard Smash, an appropriately tongue-in-cheek fusion of the wacky, bloody, adult-rated film duo of Blood for Dracula and Flesh for Frankenstein. In addition to reveling in the characters' over-the-top expressions, necrophilia, voyeurism, etc., the vid presents a series of fun lyric matches, such as the play on party/Party and the poor "Wolf Man." I promise there's more to the movies than inappropriate sex, should you ever wish to check them out. :)
festivids:Goodbye by ? for walkthegale (The Innocents) - A vid of the movie based on the ghost story/novella The Turn of the Screw. Slow and spooky. Awesome establishing of pace and mood.
Dance to Another Tune by ? for thingswithwings (Runaways) - That subjective magic of source + song match, mood, progression, turning ordinary shots of things like the paper snowflakes into something haunting, a series of smart choices down to details like the cult choosing kids who theoretically won't be missed.
It's nothing at all by ? for runawaynun (Battle for Sevastopol) - The choice of Radiohead and the cutting style together create a beautiful flow of horrific events.
Unlock the Lock by ? for runawaynun (The Expanse) - Another good match of song and source and editing, a lovely portrait of Chrisjen and Bobbie and what connects them.
I Know What I Am by ? for colls (Ocean's 8) - How do you handle a source with so many characters? By using a song with two vocalists trading off repetitive verses, of course. I do love a well-structured and well-paced vid.
( Plus 8 more )
Last but not least, thank you to ??? for making Graveyard Smash, an appropriately tongue-in-cheek fusion of the wacky, bloody, adult-rated film duo of Blood for Dracula and Flesh for Frankenstein. In addition to reveling in the characters' over-the-top expressions, necrophilia, voyeurism, etc., the vid presents a series of fun lyric matches, such as the play on party/Party and the poor "Wolf Man." I promise there's more to the movies than inappropriate sex, should you ever wish to check them out. :)
