bironic: Neil Perry gazing out a window at night (Default)
[personal profile] bironic
My memories of this round will be:
  • Impressive vids of atypical source material (comics, paintings, theatrical performances, social movements)
  • Lots of space-centric vids -- at least 14
  • Being happier with the vid I received than with the vids I made
There are some I haven't watched for spoiler reasons (Pride, Push, Gone Girl), and some I didn't get far into for purely subjective reasons like music choice and cut/transition style. But in general here are my top 20.


Beautiful-hopeful

Galaxyrise by [personal profile] starlady (multifandom space travel). Science + space travel, RL + fiction, one of my two favorite Symphony of Science songs: a joy. Two people at the "Guess the Festividder" post wondered if I made this, which indicates how close the material is to my heart and is also a lovely compliment. ETA: starlady's post about the vid

Ready for the Storm by [personal profile] scribe (Song of the Sea). This is how you make a summary vid. This is how you make a vid flow with a song.


Beautiful-mournful

Sound the Bells by [personal profile] jetpack_monkey (Godzilla series - Toho). Takes a source that's all too easily viewed nowadays as funny or simply action-packed and strips it down to the human fear and grief that has echoed through the years since WWII.


Slashy

They Are Afraid of Us Together by [personal profile] franzeska (A Dangerous Man: Lawrence After Arabia). Yes, I am reccing my gift again. ♥


Current events

Say Her Name by [personal profile] absternr (Black Lives Matter movement). Powerful and engaging and enraging and hopeful and relentless and just full of the spilling-over emotion and action that is happening inside us and around us. Name after name after name.


Still sources

Bayou by [personal profile] livrelibre (Bayou). This is how you vid still source: Choose a perfect, haunting song and cut from comic panel to comic panel with rising anxiety, then manufacture an ending out of an unfinished work.

Show Me Your Teeth by [personal profile] leanwellback (Hieronymous Bosch). This is how you vid still source: Choose a perfect, hilarious song and put simple motion effects on paintings until you're tapping your foot and grinning at the morbid appropriateness of lines like "Got no salvation."

Your Mother by [personal profile] ghost_lingering (Saga). This is how you vid still source: Choose a perfect, moving, spoken-word performance, do razor-sharp cutting, and animate the hell out of the comic panels until you feel like you're really hearing Alana talk to Hazel. ETA: ghost-lingering's post about making the vid


Cute

All In Together by [profile] nancyblackett (Great British Bake-Off). So British, so sweet -- pun intended -- so happy, and so resonant by the end for all of us fans who've felt like weirdos in our lives and who've found like-minded weirdos in our online communities.

Bonus related rec: Headphones by [personal profile] anoel (Pitch Perfect), for the way it speaks to the empowering feelings of fannish creativity.

Runners-up: Love Will Always Win by Little Heaven (Planet Earth/BBC), You're My Best Friend by [personal profile] such_heights (Patrick Stewart/Ian McKellen RPF) and Closer to Me by [personal profile] silly_cleo (Fly Away Home).


LOL

Army of Me (live, die, repeat) gag reel by [personal profile] himundergreen (Edge of Tomorrow). Remember [personal profile] ghost_lingering and [personal profile] sanguinity's magnificent tiny vid extravaganza last year for dozens of Festivids requests that hadn't yet been filled? This is a little like that: little snippets of funny Edge of Tomorrow vids Anon didn't make for their recipient.

Bitch Puddin's Fuckin' Theme Song by [personal profile] terajk (Robot Chicken). You might have to know the character to appreciate the special messed-up genius of this vid? TBH I wince when Bitch Puddin' shows up on Robot Chicken but this song was freaking perfect for her and I laughed and laughed at the result.


WTF

Anthem for the Already Defeated by [personal profile] shinealightonme (Over the Garden Wall). Creepiness + brilliant comic timing.

Runners-up: Rock Lobster by [personal profile] absolutedestiny and Great White Cat by [personal profile] terajk (Hausu). Surreal horror vidded to great comic effect thanks to editing and song choices.


Space drama/action

Under Pressure by [personal profile] violace (The Martian). What a delight. Snappy and well constructed, with lots of clever cuts and lyric matches along the way.

Relations of Life by [personal profile] starlady (Europa Report). Nice buildup of tension as the team tries to handle its encounter with something beyond human experience. ETA: starlady's post about the vid


Action & dance

Full Metal March (Cambreadth to the Edge) by [personal profile] himundergreen (Edge of Tomorrow). Excellently done, emphasizing the beats with cuts and motion.

Alive by [personal profile] anoel (Pitch Perfect). Starts with happy femslash and builds energy through the a capella performances.

The requisite Hamilton recs: Lose Yourself by [personal profile] grammarwoman on one end of the tone spectrum, and Jefferson Funk by [personal profile] heresluck on the other.


Editing especially

I Awake by [personal profile] usuallyhats (Wonder Woman)

The ending in particular of Elliot by [personal profile] valoise (Mr. Robot)



And the annual list of movies/shows I was reminded or informed I wanted to see:

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